Welcome everyone to another great week of the Writer's Revolution. I am your host, the author of The Phoenix Blade, Andrew Hess. My guest this week is author and doctor Peter Hogenkamp
Let’s get to know you a little more. Describe yourself in a hundred words or less.
PH: In order:
Husband. Father. Doctor. Writer. Son. Brother. Friend. Recreational Athlete.
Limited User of Adjectives. (Let’s not even mention adverbs.)
You said you are currently a practicing physician. What made you decide to become a doctor? How long have you been practicing for?
PH: I wanted to go to
school for creative writing but my late father ‘recommended’ I do something
else and write later in life when I had figured things out some. (Good advice,
Dad Thanks.) So I went off to Holy Cross College as a physics major, switched
to math, and then to Chemistry. My first job was as a chemistry teacher in
Salzburg, Austria. I didn’t even apply to medical school until two years after
I had graduated from college. I have been practicing for 17 years.
Seventeen years is a long time to be practicing
medicine. So, what inspired you to
write?
PH: Reading. The more I read, the more I wanted to create my
own stories. When I read my first thriller, an old copy of Alistair MacLean’s Fear is the Key. It
was given to me by my mom’s friend when I was ten-years-old. I knew I wanted to write thrillers.
I feel thrillers and mysteries are the most intense stories
to read. They really capture the
reader’s attention. Now as I understand,
you have a thriller series you’re working on.
Tell us more about it.
PH: Absolution is the first installment of
the Jesuit thriller series. In a sentence, Absolution
is the story of what happens when you thrust an intelligent, peaceful man into
a cesspool of violence and moral turpitude from which there is no escape.
This sounds good so far.
You already have my attention. How
did you come up with the story?
PH: The book is built
around the main character, Marco Venetti, S.J., a Jesuit priest from Monterosso
al Mare, Italy. Once I had finished creating Marco, my next step was to force
him to act in a manner that was alien to his training, disposition and
experience. I like 007 as much as the next guy, but let’s face it: he’s 007,
he’s supposed to kill bad guys. I thought it would be interesting to replace
James Bond with his opposite—a Jesuit priest. There was only the matter of how
to do this in a plausible way—it struck me one day as I was hiking with my
dog—and I was set. The book came very easily after that.
I like books better when they have more of a realistic or
plausible feel to them. I want to know
more about Marco. Tell me about
him. Who is he, what makes him special
to you?
PH: Marco Venetti is
a Jesuit priest from the Cinque Terre region of Italy, along the Ligurian
Coast. Like many Jesuits, Marco is an intelligent and complex man, but he is
somewhat frustrated as well, a frustration the reader can feel even as the
story opens in the airless confessional of Marco’s 800-year-old church. Some of
his frustration stems from his position as pastor of a dying parish, yes, but
his struggles to stay celibate in a non-celibate world don’t help. And the
woman he left to enter the seminary is never far from his mind. I suppose that
my boyhood love of Indiana Jones played a role in the formation of Marco’s
character, and there is some of that archeology professor turned action figure in
Marco, but with an added dimension: Marco’s internal conflict about using
violence to problem solve that Indiana never had.
Now as I understand, you signed with a literary agency. How did this come about?
PH: It was my goal
from the very day I finished my first ms. I will never forget getting a
positive response (from Josh Getzler) to my very first query letter and
thinking, ‘What’s so hard about this?’ Well, I learned the hard way that
getting an agent is hard—really hard. Josh quickly turned down my partial ms,
and rejections were a weekly if not daily occurrence for months. But there were
enough positive responses and nice comments along the way to keep me going.
After about a year, I came to the conclusion that my book—although very
good—was not good enough to overcome the long odds of gaining representation
from a reputable agent. So I shelved it (literally, it’s on my shelf, gathering
dust) and moved on to a new idea. But it was apparent to me that I was not back
at square one. I had learned much, both in the process of writing and querying,
and I realized that I was starting from square 30 or so.
I had much better luck with the next ms, garnering over
twenty requests for the full ms. But I still couldn’t break through, until a
very savvy agent recommended a number of changes that made immediate sense to
me. The irony of the situation is that when I sent her the revised ms six
months later she never got back to me. But I didn’t care at that point because
the revised ms was well received, ultimately scoring six requests for
representation. I could have held out for two more as well, but I got a call
from Liz Kracht of Kimberely Cameron & Associates that convinced me I had
found my agent.
I agree it is a long process to find an agent, and most
people don’t get representation.
Congrats on being one of the lucky ones.
It shows that hard work and determination pays off.
Who has been your greatest writing inspiration?
PH: Daniel Silva. If
you haven’t read a Daniel Silva novel, go straight to your local bookstore.
Daniel’s The Kill Artist is the first
book in his Gabriel Allon series. I challenge you to read this book and abstain
from getting the next book in the series as soon as you finish. What makes the
series is the main character: Gabriel Allon, an art-restorer turned assassin. I
love the paradox, and I credit Allon for planting the seeds of Marco Venetti in
my head.
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